Bambusikha
I’ve never spoken to the old man, though I’ve seen him countless times — for what feels like forever. He’s a parking attendant of sorts. Not employed, not serving anyone — just living beside one of the grandest banks in the country. He watches the cars, helps people park, collects a few coins, eats his khachapuri, drinks something from a plastic bottle.

He has a booth — small as the word «still». He raises the barrier for certain cars with the ease of someone who’s long stopped caring. Above him stretches a mosaic — maybe the finest in the city. In summer the sun burns across it, but in autumn — especially in autumn — it glows with a deep yellow light, as if the memory of summer itself were holding on to that façade, refusing to fade. Tourists stop to stare, of course. But I think every Tbilisian knows it too — from childhood, from the first moment they looked up at the sun.
When I found first time a house on Javakhishvili Street, 58, a dog appeared with it. The neighbor upstairs found her in a dumpster; she used to fit in the palm of a hand. She’s big now, but her name is Patara — “little one” in Georgian.
Now she’s enormous — one of the finest dogs I’ve ever known. I call her Bambusikha. She lives in the entryway, in her den between a pipe and an old bicycle. I buy her bones and small treats, and we’re friends — quietly, without words. Sometimes I think we understand each other better than we understand most people.


By day, Bambusikha keeps company with the old man. At night, she returns to us. He never lets her walk alone — he always brings her back. There’s something tender in that, almost holy — as if he, too, lived only to return something to its home.
Yesterday, after a new security camera was installed on the faсade, something happened that left me in tears.
She came to the door. The code lock blinking.
A few minutes later, for no reason, I went out for a smoke — and saw her at the far end of the block. I don’t know how she saw me. She simply stopped. Turned. And ran — fast, graceful, like a leopard. I opened both doors, and she burst inside, breathing hard — as if the whole earth had just come home.
And I stood there, cigarette in hand, thinking that maybe this is what life really is: someone always going somewhere, and someone always returning. Between them — the mosaic, the sun, the old man, the dog.
And this warm city, where it’s still possible to wait for someone.



I listen to the bread

Shut Up and Shoot

Twenty Two

A short note before Friday

Cardamon Spell — one day only

The Road to the Meadow of Awakening

Giraffe Tapes returns home

About us

GiraffeHome — a place where food remembers why it was created

The Shadow That Knew the Light

The Fog That Remembers

The Alchemy of the Sea Buckthorn

Fado of the Dying Sun

Peter’s Pigeons

Whispers of the Acacia

Miro and the Three Days

Lift your gaze

Igo and the Silence He Heard

Lucia and the Voice That Woke Up Late

The Kitchen Where the World Comes Alive

I, Tejo, Architect of Unspoken Worlds

The Summit That Breathes Light

Where the Crickets Sing

To my grandmother Annushka

Odysseus

Victor’s plant

Lila’s Herbarium

When the Birds Return

Where Sound Ends: Ambient as a Way of Being

Not by path, but by memory

The bread rose in the oven

New Merch from giraffehome — Artifacts of Time on T-Shirts. Coming Soon

The Light Within

When the trees were small

Light through the window

I am giraffe tapes

The ocean

Analog vibes only

Priceless

A Lonely Tree Between Worlds

The Juggler from Childhood

The story of a certain rabbit

One Shot, One Chance

Reflection is looking at you

And we pretend to understand

A space of inspiration

Love people not labels

Grandmother’s Rushnyks

Stay analog

Indian memories and captured radio waves via Rusted Tone Recordings

Film is not dead

Letters that were never sent

Sometimes a period is just a comma

The old wallpaper

Press play. Stay analog.

Play. Pause. Repeat.

What does the brick hide?

History speaks

Photography isn’t just an image

The funicular glides slowly

Black and white symphony
